Miami.- Spanish singer-songwriter Bad Gyal presented her new album 'Más cara' this Thursday in Miami, the second of her career and a project she defines as "a gift" for her teenage self, with deep roots in Caribbean urban rhythms.
"Alba, from 12 to 16 years old, couldn't believe this," said the artist, whose name is Alba Farelo i Solé (1997) during a live broadcast on TikTok with which she began the launch activities of the album, recorded in Miami, Medellin, Puerto Rico and Spain.
"I'm nervous, excited, and very aware of how people are going to receive it. I do see the reactions on social media. I'm not going to say I don't," she confessed from Miami. Much of those nerves come from the "great effort and passion" that the production of 'Más cara' required. "There were three composition camps with many people I admire very much since I started consuming this music," he explained.We recommend reading:Shakira and Beele release new single "Someone Like You"
Sound map of Caribbean influences in the new album
Although the composition was largely digital: "it was made from the ground up. We created the rhythms together, me sitting in the studio saying yes to this, no to that," she added, describing an unusual process in the creation of urban music, in which songs are assembled in parts and, often, from remote locations.
"I wanted a warm album that was created in the moment and I think that's what those who listen to my music will perceive," she added. Bad Gyal describes the project as her "dream playlist" and as a kind of sound map that connects the influences that marked her adolescence with her current evolution as a global artist, starting with the Puerto Rican artist J. Álvarez, with whom she shares the microphone in 'La iniciativa'. "I used to listen to it as a teenager in Barcelona, when I loved reggaeton, but I saw it as coming from a very distant world," he recalled. Throughout its 19 songs, the album fuses reggaeton, R&B, dancehall, merengue house, Jamaican shatta, guaracha, and Haitian kompa, a mix that maintains the spirit of discos and nightclubs characteristic of Bad Gyal while exploring new textures and rhythms. The result is a predominantly danceable project that moves between the nostalgic and the contemporary, reaffirming the singer's connection with the sounds that dominated the urban scene of the last two decades.







